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Sunday, May 20, 2012

Alicia Bridges



It’s hard to believe it was 34 years ago this Spring that (out lesbian) Alicia Bridges was a resounding hit in the discos. Her smash “I Love the Nightlife (Disco Round)” reached #5 on the Billboard charts, and was an international hit, selling one million copies and garnering her a Grammy nomination. And I knew every word, and especially (on the dance) floor gave the proper body accents to “You can love them all and when you're through, maybe that'll make, Ugh! a man out of you.”




and the song made it to at least two movie soundtracks


Friday, May 11, 2012

Cheyenne Jackson: Drive


Whoa! Until a few minutes ago I didn't know I'd be anxiously waiting for the new CD by Cheyenne Jackson. But then I heard the first single, "Drive." Check it out on his site...

Tuesday, May 8, 2012

Straight Comic, Gay Album (1972)



The year 1972 was early for an all gay-themed comedy album, and perhaps more surprising, it was, to my mind, quite "gay friendly." Sandy Baron had already had success on Broadway, countless TV shows, and in concert, and had released several comedy albums. But this one was different. In an interview in The Advocate (1976) it was stated that the LP was an "attempt to break down down some of the stereotypes and mystique about homosexuality through a myriad of confrontations between the gay and straight worlds." And I think the result has no viciousness and instead is quite good-natured. My favorite track is about same-sex marriage (yes, in 1972) and is called "Do You Take This Man...?" But you can hear all of the tracks on my site.



A 45 rpm record was even released from the album.



Sunday, May 6, 2012

Camp Records Label



Over the years one of the most popular sections of my site has been the one on the Camp Records label. I title it “The Most Outrageous (and Queerest) Record Label of the 60s,” and it certainly was. Almost nothing is known about the mysterious 60's record label. The Hollywood company released an album and ten 45 rpm records of gay parody songs, most done with effeminate voices. I believe they were issued in the early 60's, as they all appeared in an ad in the gay magazine Vagabond, dated 1965. The artists singing most of the songs were uncredited, or with names obviously made up, like Byrd E. Bath and B. Bubba.

Below, four of the ten 45s


  A second album released on the label was called "Mad About the Boy." It was filled with mostly well-known Broadway and cabaret songs that were originally sung by women. This album kept the pronouns intact, making them very gay. They were done in lounge style, without a campy approach...in other words, done "straight."


Monday, April 30, 2012

Aaron Bridgers, Jazz Pianist and Partner of Billy Strayhorn


Fans of jazz know Billy Strayhorn as perhaps the genius behind Duke Ellington, and their collaboration lasted almost three decades.  The classics “Take the A Train,” “Lush Life,” Satin Doll,” and others are among the masterpieces of that relationship. Strayhorn seemed content to stay in Ellington’s shadow and perhaps that enabled him to be as openly gay as he was in those times, the 1940’s. 

 
And this is my introduction to another jazz musician, Aaron Bridgers. I admit he attracted my interest because he was lovers with Strayhorn, from around 1939, until 1948, when Bridgers moved to Paris for a music career there. His recordings were not numerous and are quite rare, and it took me around a year to find what is probably his only album as a solo artist. It was released in France in 1950 and includes works by Gershwin, Ellington, and of course Strayhorn. I have set up a special page of my website where you can listen to several of the LP's tracks.





The first photo at the top is a screen capture from the 
1961 film "Paris Blues," in which he has a small role 




Wednesday, April 25, 2012

New EP by LP: “Into the Wild - Live At EastWest Studios”



If you’ve had your television on in the last year, then you've heard the song “Into the Wild,” as used extensively in Citibank commercials. You'll recognize it immediately. It was written by Laura Pergolizzi, who just goes by her initials, LP. She attracted a bit of attention as a solo artist in 2004 with her solo CD, “Suburban Sprawl & Alcohol.”

For the last few years her success has mainly been as a writer, and that’s been some terrific success, co-writing “Beautiful People” (Christina Aguilera), “Cheers” (Rihanna), and a number of others. She’s working on a full-length album for later this year, but has just released a live EP, and I think it’s terrific. And, you can stream all of it at her website.



Above, 2004 CD; below, studio shot



 

Sunday, April 22, 2012

Women's Music Portal on QMH

Hey, did you know there's now a sort of Women's Music Portal on the Queer Music Heritage website? 
No, it doesn't look like it might above, on Stargate, or below, on Star Trek...


Instead, it's just a link to a page with this graphic...


I've been doing QMH for over 12 years and shows relating to "Women's Music" are quite spread out among the over 1700 pages of my website, so I set up an entry page, or index, to the various shows and features to be found.